Matt Wilson Quartet
New York based drummer and Grammy nominee Matt Wilson is one of todays most celebrated jazz artists. He is universally recognized for his musical and melodic drumming style as well as being a gifted composer, bandleader, producer, and teaching artist. Matt’s positive energy, sense of humor and ability to explore a broad range of musical settings keeps him in constant demand. In addition, Wilson’s dedication to jazz has helped establish him as a beloved world ambassador for the music, on and off the bandstand.
Recently, Matt performed at the White House as part of an all-star jazz group for a State Dinner concert hosted by President Obama. Other performers included Herbie Hancock, Dee Dee Bridgewater, Dianne Reeves, Chris Botti, Randy Brecker, Antonio Hart and James Genus. Matt was named the artist in residence at the Litchfield Jazz Festival where he conducted a much-heralded public interview with Dave Brubeck. In 2010, Wilson conducted over 250 outreach programs promoting jazz including an acclaimed Jazz for Young Peoples concert at Jazz at Lincoln Center.
Wilson leads the Matt Wilson Quartet, Arts and Crafts, Christmas Tree-O and the Carl Sandburg Project. Matt is integral part of bands led by Joe Lovano, John Scofield, Charlie Haden, Lee Konitz, Bob Stewart, Denny Zeitlin, Ron Miles, Marty Ehrlich, Ted Nash, Jane Ira Bloom and Dena DeRose among others. He has performed with many legends of music including Herbie Hancock, Dewey Redman, Andrew Hill, Bobby Hutcherson, Elvis Costello, Cedar Walton, Kenny Barron, John Zorn, Marshall Allen, Wynton Marsalis, Michael Brecker, Pat Metheny, Bill Frisell and Hank Jones. Wilson has appeared on 250 CDs as a sideman and has released 9 as a leader for Palmetto Records as well as co-leading 5 additional releases.
Matt was featured on the covers of both Downbeat and JazzTimes magazines in November 2009 and was for 5 consecutive years voted #1 Rising Star Drummer in the Downbeat Critic’s Poll. The readers of JazzTimes recently chose him as one of the top 4 drummers in the 2010 Readers Poll. In 2003, he was voted Drummer of the Year by the Jazz Journalists Association.
Matt resides in Baldwin, NY with his wife Felicia, daughter Audrey and triplets sons Henry, Max and Ethan.
Jared Gold Quartet
Jared Gold: organ
Paul Bollenback: guitar
Monte Croft: vibraphone
McClenty Hunter: drums
Organist Jared Gold’s emergence as one of the New York area’s most in-demand musicians comes from years of dedication and respect to his instrument. With such notable inﬂuences as Larry Young , Jack McDuff, and Don Patterson to draw upon as a foundation, the emphasis on ﬁnding his own voice has now clearly taken precedence and required Gold to construct his own unique philosophy based on extending harmony and solidifying the groove.
Gold’s latest release, titled Metropolitan Rhythm (2015, Posi-Tone), features his working trio of veteran guitarist Dave Stryker and up-and-coming drummer Kush Abadey. Gold ties together big cities from New York to Sao Paulo with three new compositions and some wonderful remakes of familiar songs by a broad spectrum of composers including Paul McCartney, Thelonious Monk, Filó Machado, and Joe Henderson.
Following the successes of his previous seven releases, all on Posi-Tone, Jared has accumulated many accolades, including winning the 2013 Rising Star on Organ critics poll in DownBeat Magazine. His ﬁrst seven releases are Solids & Stripes (2008), Supersonic (2009), Out Of Line (2010), All Wrapped Up (2011), Golden Child (2012), Intuition (2013), and JG 3+3 (2014).
With the powerful combination of his obvious talent, the blessings of an affable personality and his unbelievable versatility and musicianship on the bandstand, Gold has been provided with the opportunity to work with many established veterans and can be seen performing regularly with his own group and appearing steadily alongside in the working groups and recordings of John Abercrombie, Dave Stryker, Oliver Lake, Ralph Bowen and David Gibson.
Thana Alexa Project
Thana Alexa – vocals
Carmen Staaf – piano & keyboards
Ben Williams – acoustic & electric bass
Clarence Penn – drums
By the time an artist discovers their own voice, they’ve been shaped by countless influences. On her debut album, Ode To Heroes, vocalist THANA ALEXA pays tribute to the personalities both personal and musical who have impacted her on the path to forging her own distinctively individual voice. It’s a telling list that encompasses her own family; jazz giants like Wayne Shorter, Charles Mingus, and Paul Desmond; and the stellar musicians who collaborate with her on the album, including drummer and coproducer Antonio Sanchez, saxophonists Donny McCaslin and Lenart Krecic, bassists Jorge Roeder and Scott Colley, pianist Sergio Salvatore and vibraphonist Christos Rafalides. The release of Ode To Heroes, via Harmonia Mundi/Jazz Village, marks the arrival of a rising star on the modern vocal jazz scene. The album mainly features her engaging original compositions, along with vibrant takes on jazz standards like Shorter’s “Footprints,” Mingus’ “Goodbye Pork Pie Hat,” and Desmond and Dave Brubeck’s “Take 5.” Most importantly, it spotlights Alexa’s ability to engage in rewarding and illuminating conversation with some of the music’s most renowned and forward-thinking players.
Since dedicating herself to music, Alexa has performed and recorded with Antonio Sanchez on his album New Life and his upcoming album The Meridian Suite – performances have included Red Sea Jazz Festival and Montreal Jazz Festival – with legendary drummer Bernard “Pretty” Purdie and two albums with guitarist Gene Ess. She came in 2nd place in the 2014 Made in New York Jazz Competition and won the 2011 Jazzon Alpe-Andria International Competition for “Ode To Heroes,” while her composition “Siena” was nominated for a Best Jazz Composition award by PORIN, the Croatian Music Academy, an honor equivalent to the Grammy Awards in America.
“…a jazz singer with a global perspective…” – The New York Times
“…Thana Alexa stood out, turning a style of scatting that’s become cliche into something entirely new, evocative, and exhilarating!” – Billboard
“A radiant voice… sparkling artistry and unerring confidence… Ascendant Singer… young and chic possessing an electric stage presence… a warm-hearted chanteuse with old-school charm.” – Downbeat
“Enchanting… Her voice is enthralling, her compositions are heart-warming and her arrangements are heart-stopping.” – JazzTimes
“Thana rules with precision and brilliance… If jazz singing can be riveting, then here is its definition… This lady excites in a multitude of ways. She’s fresh, creative and yet with a stiletto’d heel in the tradition.” – All About Jazz
Greg Abate Quartet
Greg Abate: saxophone
Tim Ray: piano
Paul Del Nero: bass
Steve Langone: drums
Greg Abate jazz saxophonist, flutist, composer continues as an International Jazz/Recording Artist with 225 days a year touring the globe. In the mid 70’s after finishing a four year program at Berklee College Of Music, Greg played lead alto for the Ray Charles Orchestra for 2 years. In 1978 Greg formed his group Channel One which was a favorite in the New England area and from there had the opportunity to play tenor sax with the revived Artie Shaw Orchestra under leadership of Dick Johnson from 1986 to ’87.
Following this experience Greg ventured out as post hard bop soloist playing Jazz Festivals, Jazz Societies and Jazz Clubs throughout the U.S. Canada and abroad, including most of Europe, UK, and Moscow and Georgia Russia. Greg’s newest release Road To Forever with the Tim Ray Trio was released in Feb. of 2017.
Kindred Spirits Greg Abate Phil Woods with The Tim Ray Trio and Greg Abate Motif were also released on the Whaling City Sound Records Recording Label.
Greg recorded his first CD Live At Birdland NYC in 1991 on the Candid Jazz Label with the trio of James Williams, Rufus Reid and Kenny Washington. To this date Greg has recorded over 17 other recordings as leader. Greg is also an adjunct professor of Jazz Studies at Rhode Island College and is also a very active jazz clinician with co. sponsorship from the Conn -Selmer Instrument Co., conducting workshops and master classes through the U.S and abroad. Greg has been inducted into the RI MUSIC HALL OF FAME 2016.
What some say about Greg Abate:
“I sleep a lot better knowing there are alto players like Greg! It was a joy to make music with him and he writes good songs that are challenging.” – Phil Woods
Abate is not content to rely on stock bebop riffs and standard chord progressions. Rather, the sharp angularity of his phrases and the often startling pauses in his fast-moving lines give his work a feeling of constant invention and creativity.” – Howard Reich, Chicago Tribune
“…Abate’s musical style can be seen as a distillation of swing’s easygoing vibe and bop’s more animated groove. He has developed a unique voice. – METRO San Jose
“Greg Abate is an absolute powerhouse who will absolutely not let hard driving bebop die. One of the most exciting players around today, Greg’s commitment to the music is total…” – W. Pickowitz, Jr., The Jazz Messenger
“Multi-saxophonist Greg Abate is a prime example of the ‘rear back and blow’ school of contemporary bop-based players. The tunes he writes or chooses are based on the kinds of changes that harmony-oriented jazzmen have favored since the beginning and he swings through them with and eager and easy virtuosity.” – David Franklin, Jazz Times
Rene McLean (Saxes/Flutes)
Steve Davis (Trombone)
Hubert Eaves lll (piano)
Nat Reeves (Bass)
Eric McPhearson (Drums)
Neil Clarke (African Percussion)
Rene McLean multi-reed Instrumentalist, composer, band leader, educator and producer, protégé and son of world renowned alto saxophonist/educator/activist Jackie Mclean. Rene maintains an active international performance, recording and teaching career and has performed, recorded and collaborated with numerous artists such as: Jackie McLean, Woody Shaw, Hugh Masekela, Tito Puente; Amiri Baraka; Yusef Lateef, Miriam Makeba; Curtis Fuller, Dr. Billy Taylor, and Baba Olatunji to name a few. McLean’s music is influenced by many world music genres, including Eastern and African traditions.
Mark Zaleski Band
Internationally touring musician, Mark Zaleski, has distinguished himself as a uniquely dynamic soloist, mulit-instrumentalist, and band leader. He has performed with a diverse group of notable artists including Dave Brubeck, Christian McBride, Ian Anderson, Connie Francis, Mahmoud Ahmed, Rakalam Bob Moses, the Either/Orchestra, Jason Palmer, and Matt Savage.
Growing up in the small town of Boylston, MA, Zaleski was influenced by the musical tastes of his friends, family, and teachers. His parents were fans of rock and pop music from the 1960’s and 1970’s like The Beatles, Jimi Hendrix, Led Zeppelin, The Temptations and Stevie Wonder. His friends were fans of punk and metal bands of the 1990’s like Nirvana, Metallica, and Pearl Jam. His brother, Glenn Zaleski, and his music teachers listened to jazz artists such as Dave Brubeck, Ray Brown, Oscar Peterson, Cannonball Adderley, and John Coltrane.
His unique approach to jazz led him to become the first alto saxophonist selected to the prestigious Dave Brubeck Institute Fellowship Program in Stockton, CA in 2003. Zaleski spent those two year performing with his virtuostic peers and learning from established pros such as Bobby Watson, Ndugu Chancler, Conrad Herwig, Eric Harland, Greg Tardy, Rufus Reid, Robin Eubanks, and Mic Gillette. Upon completion of the Brubeck Institute, Mark continued his studies at The New England Conservatory of Music in Boston, MA. It was at the New England Conservatory that he was able to study with some of the most influential teachers of his life, Charlie Banacos and Jerry Bergonzi.
While at The New England Conservatory, Zaleski began to delve deeply into composition. His compositional style derives itself from the music he grew up listening to while still drawing from his training as a jazz musician. While the band has no vocalist, Zaleski takes on the lead voice channeling a combination of his saxophone heroes and inspirational vocalists like Stevie Wonder, Robert Plant, Michael Jackson, and Donny Hathaway. This sound proved to be a unique voice in music, and started touring at clubs, colleges, and festivals around the country. Notable appearances have been at Small’s in New York City, Ryles in Boston, Egan’s in Seattle, Johns Hopkins University in Baltimore, and Vitello in Los Angeles.
The personal relationships within the ensemble is one of the most important and unique aspects of the Mark Zaleski Band. Beginning at the ages of 10 and 8 years old, Mark and his brother, Glenn Zaleski, have been playing music and creatively callaborating together for the past twenty years! Since meeting at The New England Conservatory, Zaleski and tenor saxophonist Jon Bean have played together as a saxophone duo for 10 years and work together as if one mind is manipulating both of their musical voices. These are only two examples of how the interpersonal relationships within the band play a major role in creating its sound.
Additionally, Zaleski is active in many musical projects including the Omar Thomas Large Ensemble, The Brighton Beat, John Allmark Jazz Orchestra and the Either/Orchestra. He also is on faculty at the Berklee College of Music and Longy School of Music at Bard College.
MZB is what Mark describes as his “passion project.” It is an ever evolving musical concept and continues to explore the various creative gifts of it’s ensemble. Zaleski hopes to live up to a claim the Patriot Ledger once made of his band; “no one will ever accuse the Mark Zaleski Band of being boring.”
Chico Freeman Plus+tet
Chico Freeman – saxophones
Anthony Wonsey – piano
Kenny Davis – bass
Rudy Royston – drums
Heralded as one of the most important saxophonists of our time, musician, composer and producer Chico Freeman marked his return to the United States in May 2016, after more than a decade living and working in Europe.
As part of the Freeman family legacy of Chicago; his father, legendary NEA Jazz Master saxophonist Von Freeman; his uncles, guitarist George Freeman; and drummer Bruz Freeman, Chico amassed a diverse résumé of performing R&B to blues, hard bop to avant-garde. His collegiate studies in Advanced Composition and Theory at Northwestern University led him to teach composition at the AACM (Association for the Advancement of Creative Musicians) Music School, and while attaining his Masters in Composition and Theory at Governor State University, he studied composition with NEA Jazz Master Muhal Richard Abrams.
In graduate school, a memorable performance at the Notre Dame Intercollegiate Jazz Festival won him multiple awards including a tour of Brazil, with a stopover in New York, where he discovered his reputation had preceded him. He was immediately embraced by a remarkable array of Jazz masters and began touring and recording with Elvin Jones, McCoy Tyner, Sun Ra, Dizzy Gillespie, Eddie Palmieri and Jack DeJohnette to name a few. Concurrently, he started recording as a leader with albums that met with immediate commercial success and critical acclaim.
Chico Freeman’s career has enjoyed non-stop growth. He has more than 30 albums as a leader/composer and is a 2-time GRAMMY® nominee. His writing for film, television and theatre has won him awards in Austria, Germany, Canada and Italy. In 2013, he was presented with the Bicentennial Exhibition Award, History Of Black Music in Los Angeles.
While he was dubbed a “young lion” three decades ago for his participation on the 1982 recording with other stars-to-be Wynton Marsalis, Kevin Eubanks, Paquito D’Rivera, Bobby McFerrin and Anthony Davis, Freeman now merits being called a “master on his instrument.”
Freeman has perfected an immediately recognizable approach to music and composition, blending what he has experienced from his past and providing fluidity into a future of infinite musical possibilities.
Ed Fast and CongaBop
Ed Fast: drums
Steve Davis: trombone
Zaccai Curtis: piano
Josh Bruneau: trumpet
Frank Kozyra: tenor sax
Leo Catricala: bass
Yolanda Coggins: vocals
Ed Fast and Congabop combine the harmony and sensibilities of hard-bop with the rhythms of the Caribbean to produce an original and vibrant sound that is latin and jazz. Drummer / Vibist / Composer Ed Fast leads this octet through an exciting array of his own soulful originals as well as latin jazz classics by legendary artists such as Cal Tjader, Tito Puente and Hilton Ruiz. The group has been featured at every major jazz venue in the region including Hartford, New Haven, Sprinfield, Branford Jazz festivals, HJS Boat cruise and more. Ed Fast and Congabop have shared the stage with Latin Jazz lumanaries Arturo Sandoval, Dave Valentin, Andy Gonzalez, and Bill Fitch.
Two highly acclaimed recordings feature artists that include Steve Davis, the Curtis Brothers, Larry Coryell and Bill Fitch. A live performance exudes high energy and positive vibes as the band grooves its way through a multitude of latin rhythms including rumba, cha cha cha, son, and Afro-Cuban 6/8. Enjoy the unique voice of Congabop, a band with a Caribbean heart and hard-bop soul.
Kurtis Rivers – alto saxophone
Lee Odom – alto saxophone
Lance Bryant – tenor saxophone
Sean Berry – tenor saxophone
Charlie Kohlhase – baritone saxophone
Jerry Sabatini – trumpet
Eddie Allen – trumpet
Ku-umba Frank Lacy – trombone
Alfred Patterson – trombone
Bill Lowe – bass trombone
John Kordalewski – piano, arranger
John Lockwood – bass
Yoron Israel – drums
After multi-instrumentalist and educator Makanda Ken McIntyre passed away unexpectedly in 2001, it was discovered that, in addition to the approximately 75 original compositions that appear on his albums, he had written around 350 more that had not been recorded or, in most cases, performed in public. Dr. McIntyre was a brilliant composer. His compositions are marked by a distinctive rhythmic and lyrical quality, along with how effectively he can do the unexpected. The unrecorded compositions promised to be a significant body of work.
The Makanda Project was formed in 2005 so that this music could be explored by musicians and heard by the public. Pianist and leader John Kordalewski, who studied and performed with Makanda has, as of 2017, arranged almost 50 of the compositions for a large ensemble. With new arrangements, and without the opportunity to hear Makanda’s performances of these pieces, the Makanda Project’s approach differs from that of the “ghost bands” that sometimes form to honor the legacy of a great musician. Whereas those bands essentially revisit the original, with the same repertoire and instrumentation, the Makanda Project is extending Dr. McIntyre’s work in new ways, and has developed its own identity with his compositions as a vehicle. The group’s repertoire has also grown to include some works by other composers including saxophonist Bill Barron and South African pianist Ndikho Xaba.
The group is based in Boston, with some members living in New York. For many years now, the Makanda Project has performed on a regular basis at the Dudley Branch of the Boston Public Library and at Roxbury Heritage Park, in Boston’s Roxbury neighborhood, and developed a devoted and enthusiastic local following. These free concerts have a distinct community flavor and reflect the value the group places on making the music accessible on a community level. The group has also travelled frequently to various East Coast locations. This will be their first appearance in Connecticut.
Rossano, Nicki, and Eddie offer uplifting art. Without delivering a sermon or be-ing overly serious, they speak to us. Their message? “We have much to tell you – about love, creativity, singing melodies, dancing rhythms. We may play sad songs, but we know that being alive is good. Music makes it even better.” – Michael Steinman/Jazz Lives
“She has that special gift you cannot buy in a music store.” – LES PAUL
“Nicki brings clear articulation, beautiful tone, a sense of rhythmic assuredness
and a touch of allure to inventive arrangements.” – JAZZ TIMES
“Nicki Parrott could make anyone love jazz.” – CABARET SCENE
Born in Newcastle, Australia, Nicki Parrott started her musical training at age four with the piano, followed by the flute, soon after. Nicki switched to double bass at the age of 15.
After graduating high school she moved to Sydney to study jazz at the New South Wales Conservatorium of Music where she began to play with Australian musicians such as Mike Nock, Dale Barlow, Paul Grabowsky, Bernie McGann, and Ten Part Invention. She also toured Australia with Russian musicians Daniel Kramer and Alexander Fischer and American trumpeters Bobby Shew and Chuck Findley. She continued her studies with various bassists including visiting artists Ray Brown and John Clayton.
Nicki was the recipient of two awards, a scholarship to Pan Pacific Music Camps at the age of 16, and first place in the 1992 Jazz Action Society’s Annual Song Competition for her composition “Come and Get It,” which is the opening track of Nicki and her sister Lisa’s debut CD, “Awabakal Suite”. She was also nominated for the annual Australian Young Achievers Award by the Arts Council of Australia who granted her the funds to come to New York to study with Rufus Reid. Nicki came to New York in May 1994.
In June 2000, Nicki began performing on Monday nights at the Iridium Jazz Club with the legendary guitarist and inventor, Les Paul. As part of the Les Paul Trio, Nicki worked side-by-side with guitar greats from Paul McCartney, Slash, Steve Miller to fellow Aussie, Tommy Emmanuel.
Since then she has performed with such notable musicians as Michel Legrand, Joe Wilder, Randy Brecker, Clark Terry, Jose Feliciano, Bucky Pizzarelli, John Pizzarelli, Dick Hyman, Patti Labelle & the New York Pops Orchestra, Harry Allen, Marlena Shaw, David Krakauer, Ken Peplowski, Ann Hampton Callaway, Bill Mays, Scott Hamilton, Lillian Boutte, Larry Carlton and Houston Person, just to name a few.
Nicki has also performed in several Broadway shows such as Avenue Q, Imaginary Friends, You’re a Good Man, Charlie Brown, Summer of ’42 and Jekyll and Hyde and has made several television and documentary appearances including The Gossip Girls, Chasing Sound and Thank You Les, which recently debuted on PBS.
In 2007 and 2008, Nicki received back to back honors for Swing Journal’s Best Jazz Vocal Album (Moon River and Fly Me to The Moon, respectively).
In 2010 her album Black Coffee (Venus) received Swing Journal’s Gold Disc award.
In 2012, Nicki headlined the Fujitsu Concorde Jazz festival after the release of her eighth CD from Venus Records, Sakura Sakura. She is currently recording her 16th release for the label.
Nicki has performed at most major festivals around the globe including the Mary Lou Williams Jazz Festival, Newport Jazz Festival, Jazz in July at the 92nd Street Y, Litchfield Jazz Festival, Detroit Jazz Festival, the Lionel Hampton Jazz Festival and the Newport Beach Jazz Party, Jazz Ascona and Bern Jazz Festival in Switzerland and many others.
OLD LYME INN
85 Lyme Street
Old Lyme, Connecticut 06371
At The Show
Doors at 7:30pm for cocktails and seating
Shows begin at 8:30pm
unless otherwise advertised
Pre-show dinner reservations available at
The Old Lyme Inn
(food is not served at the club, full bar service available)
No unauthorized audio or video recording is permitted during performance. This includes cell phones. Photos restricted to first set per artist request.
Enjoy overnight discounts with your tickets
VOTED BEST LIVE JAZZ BY CT MAGAZINE 2014 AND 2015! Come check out why.....
TS Monk Sextet
Donald Vega Trio
Ravi Coltrane Quartet
Big Chief Donald Harrison
Bucky Pizarelli | Russell Malone | Ed Laub
Ken Kitchings | SideDoor Jazz
Feb 27, 2015 | see full article
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NEWPORT JAZZ FESTIVAL
Founded in 1954, the Newport Jazz Festival® was the first annual jazz festival in America. It has been host to numerous legendary performances by some of the world’s leading established and emerging artists.
VISIT NEWPORT JAZZ FESTIVAL
Garde Arts Center
Performing arts theater presenting Broadway shows, opera, film and other events. New London, Connecticut.
VISIT THE OASIS ROOM
Established in 1994, JazzReach is a nationally recognized New York City-based not-for-profit organization dedicated to the promotion, performance, creation and teaching of jazz music.
The Artists Collective
The Artists Collective is a cultural institution serving the Greater Hartford region, providing year-round professional training in dance, music, drama, visual and martial arts emphasizing the arts and culture of the African Diaspora.
The Hartt School of Music
The Hartt School is the comprehensive performing arts conservatory of the University of Hartford. Hartt offers innovative degree programs in music, dance, and theatre.
Newport Festivals Foundation
To continue the Newport Jazz Festival® as it has been since 1954 in the presentation of the greatest jazz performers who follow the traditions of New Orleans, swing, bebop and modal as the core and heart of jazz music.
Innovators of the finest musical instrument and mic stands for 35 years, The Music People! Inc. has been one of the nation’s leading suppliers of microphones and pro audio equipment.
The Sidedoor jazz club is the realisation of a long cherished dream. Ken Kitchings has always been a true fan of jazz music and brought many great artists to The Garde Theatre in New London, CT during his time there.
In 2011 Ken and his wife Chris bought the beautiful, but sadly neglected, Old Lyme Inn and put their hearts and souls into bringing its former glory to life. Once the inn became an established part of the community, Ken set his sights on an unused “side door” space attached to the inn, visualizing the perfect jazz venue: Intimate, welcoming, elegant and a quality, great sounding room that the very best jazz artists would be happy to play in!
On May 10th, 2013 its door and stage was opened by none other than the venerable George Wein and his Newport All Star band, cutting the ribbon and giving his blessing to an awestruck Ken Kitchings! An incredible gala night opening to be remembered – setting the standard and placing The Sidedoor firmly on the jazz venue map!
PHOTO: DOLORES MAURISU, KEN KITCHINGS
“Thank you for treating us so well. I’m happy that The Side Door brings quality, art and celebration to the community, thank you for inviting me to be a part of the magic! Sending love and wishing you health and joy, thank you. Benny”~ Benny Green 4/18/14
“This is the real deal! You’re right in the cross hairs of the NY and Boston music scene… This is every bit as great as playing the Vanguard!”~ Kenny Werner
This is the best thing to happen to the Connecticut shoreline since the Baldwin Bridge!~ Robin Whitney, Side Door VIP
Intimate room, good bar service and superb jazz band! A great place to go after dinner on the weekend in Old Lyme or Essex near the CT shore.~ TripAdvisor User: Glenn C
very excited to see this has opened – just what we need in this area!!~ Facebook User: Carrie Leber
As shepherded by Ken Kitchings – who owns the Old Lyme Inn with his wife, Christine, and is a booking force at the Garde Arts Center – the SideDoor will be an intimate venue dedicated to showcasing the finest touring jazz musicians as they negotiate the I-95 corridor.~ RICK KOSTER, The Day
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