ALL < OCTNOVDEC>

UpcomingEvents

20
Oct

Makanda Project

Kurtis Rivers – alto saxophone
Lee Odom – alto saxophone
Lance Bryant – tenor saxophone
Sean Berry – tenor saxophone
Charlie Kohlhase – baritone saxophone
Jerry Sabatini – trumpet
Eddie Allen – trumpet
Ku-umba Frank Lacy – trombone
Alfred Patterson – trombone
Bill Lowe – bass trombone
John Kordalewski – piano, arranger
John Lockwood – bass
Yoron Israel – drums

After multi-instrumentalist and educator Makanda Ken McIntyre passed away unexpectedly in 2001, it was discovered that, in addition to the approximately 75 original compositions that appear on his albums, he had written around 350 more that had not been recorded or, in most cases, performed in public. Dr. McIntyre was a brilliant composer. His compositions are marked by a distinctive rhythmic and lyrical quality, along with how effectively he can do the unexpected. The unrecorded compositions promised to be a significant body of work.

The Makanda Project was formed in 2005 so that this music could be explored by musicians and heard by the public. Pianist and leader John Kordalewski, who studied and performed with Makanda has, as of 2017, arranged almost 50 of the compositions for a large ensemble. With new arrangements, and without the opportunity to hear Makanda’s performances of these pieces, the Makanda Project’s approach differs from that of the “ghost bands” that sometimes form to honor the legacy of a great musician. Whereas those bands essentially revisit the original, with the same repertoire and instrumentation, the Makanda Project is extending Dr. McIntyre’s work in new ways, and has developed its own identity with his compositions as a vehicle. The group’s repertoire has also grown to include some works by other composers including saxophonist Bill Barron and South African pianist Ndikho Xaba.

The group is based in Boston, with some members living in New York. For many years now, the Makanda Project has performed on a regular basis at the Dudley Branch of the Boston Public Library and at Roxbury Heritage Park, in Boston’s Roxbury neighborhood, and developed a devoted and enthusiastic local following. These free concerts have a distinct community flavor and reflect the value the group places on making the music accessible on a community level. The group has also travelled frequently to various East Coast locations. This will be their first appearance in Connecticut.

21
Oct

Nicki Parrott

Rossano, Nicki, and Eddie offer uplifting art. Without delivering a sermon or be-ing overly serious, they speak to us. Their message? “We have much to tell you – about love, creativity, singing melodies, dancing rhythms. We may play sad songs, but we know that being alive is good. Music makes it even better.” – Michael Steinman/Jazz Lives

“She has that special gift you cannot buy in a music store.” – LES PAUL

“Nicki brings clear articulation, beautiful tone, a sense of rhythmic assuredness
and a touch of allure to inventive arrangements.” – JAZZ TIMES

“Nicki Parrott could make anyone love jazz.” – CABARET SCENE
Born in Newcastle, Australia, Nicki Parrott started her musical training at age four with the piano, followed by the flute, soon after. Nicki switched to double bass at the age of 15.

After graduating high school she moved to Sydney to study jazz at the New South Wales Conservatorium of Music where she began to play with Australian musicians such as Mike Nock, Dale Barlow, Paul Grabowsky, Bernie McGann, and Ten Part Invention. She also toured Australia with Russian musicians Daniel Kramer and Alexander Fischer and American trumpeters Bobby Shew and Chuck Findley. She continued her studies with various bassists including visiting artists Ray Brown and John Clayton.

Nicki was the recipient of two awards, a scholarship to Pan Pacific Music Camps at the age of 16, and first place in the 1992 Jazz Action Society’s Annual Song Competition for her composition “Come and Get It,” which is the opening track of Nicki and her sister Lisa’s debut CD, “Awabakal Suite”. She was also nominated for the annual Australian Young Achievers Award by the Arts Council of Australia who granted her the funds to come to New York to study with Rufus Reid. Nicki came to New York in May 1994.

In June 2000, Nicki began performing on Monday nights at the Iridium Jazz Club with the legendary guitarist and inventor, Les Paul. As part of the Les Paul Trio, Nicki worked side-by-side with guitar greats from Paul McCartney, Slash, Steve Miller to fellow Aussie, Tommy Emmanuel.

Since then she has performed with such notable musicians as Michel Legrand, Joe Wilder, Randy Brecker, Clark Terry, Jose Feliciano, Bucky Pizzarelli, John Pizzarelli, Dick Hyman, Patti Labelle & the New York Pops Orchestra, Harry Allen, Marlena Shaw, David Krakauer, Ken Peplowski, Ann Hampton Callaway, Bill Mays, Scott Hamilton, Lillian Boutte, Larry Carlton and Houston Person, just to name a few.

Nicki has also performed in several Broadway shows such as Avenue Q, Imaginary Friends, You’re a Good Man, Charlie Brown, Summer of ’42 and Jekyll and Hyde and has made several television and documentary appearances including The Gossip Girls, Chasing Sound and Thank You Les, which recently debuted on PBS.

In 2007 and 2008, Nicki received back to back honors for Swing Journal’s Best Jazz Vocal Album (Moon River and Fly Me to The Moon, respectively).

In 2010 her album Black Coffee (Venus) received Swing Journal’s Gold Disc award.

In 2012, Nicki headlined the Fujitsu Concorde Jazz festival after the release of her eighth CD from Venus Records, Sakura Sakura. She is currently recording her 16th release for the label.

Nicki has performed at most major festivals around the globe including the Mary Lou Williams Jazz Festival, Newport Jazz Festival, Jazz in July at the 92nd Street Y, Litchfield Jazz Festival, Detroit Jazz Festival, the Lionel Hampton Jazz Festival and the Newport Beach Jazz Party, Jazz Ascona and Bern Jazz Festival in Switzerland and many others.

27
Oct

Buster Williams & Something More (friday)

BUSTER WILLIAMS, bass
LENNY WHITE, drums
GEORGE COLLIGAN, piano
BRUCE WILLIAMS, alto sax

Bassist and composer Buster Williams is a prodigious artist whose playing knows no limits. He has played, recorded and collaborated with jazz giants such as Art Blakey, Betty Carter, Carmen McRae, Chet Baker, Chick Corea, Dexter Gordon, Jimmy Heath, Branford Marsalis, Wynton Marsalis, Gene Ammons, Sonny Stitt, Herbie Hancock, Larry Coryell, Lee Konitz, McCoy Tyner, Illinois Jacquet, Nancy Wilson, Elvin Jones, Miles Davis, the Jazz Crusaders, Ron Carter, Woody Shaw, Sarah Vaughan, Benny Golson, Mary Lou Williams, Hank Jones, Lee Morgan, Jimmy Rowles, Hampton Hawes, Cedar Walton, Bobby Hutcherson, Billy Taylor, Sonny Rollins, Count Basie, Errol Garner, Kenny Barron, Charlie Rouse, Dakota Staton, Kenny Dorham, and Freddie Hubbard, to name a few.

One of jazz’s most valuable sidemen, Buster Williams has flourished through many periods of changing fashions in jazz. Best known since the 1980s for his solid, dark tone and highly refined technique on the acoustic bass, the jazz-rock generation knew him as the mobile anchor of Herbie Hancock’s exploratory Mwandishi Sextet from 1969 to 1973, doubling on acoustic and electric basses sometimes attached to electronic effects devices.

Williams learned both the double bass and the drums from his father, but having been enormously impressed by Oscar Pettiford’s recordings, he ultimately decided to concentrate on the bass. After studying theory and composition at Philadelphia’s Combs College of Music in 1959, Williamsjoined Jimmy Heath’s unit the following year and played with Gene Ammons and Sonny Stitt in 1960 and 1961, as well as behind singers Dakota Staton (1961-1962), Betty Carter(1962-1963), Sarah Vaughan (1963), and Nancy Wilson(1964-1968). The gig with Wilson prompted a move to Los Angeles, where the Jazz Crusaders used him for concert dates and recordings from 1967 to 1969, and he also played briefly with Miles Davis in 1967 and the Bobby Hutcherson/Harold Land quintet. Moving to New York in 1969, Williams joined Hancock’s sextet, appearing on all of his Warner Bros. albums, as well as The Prisoner (Blue Note), Sextant(Columbia) and with trumpeter Eddie Henderson’s spinoff group on Capricorn and Blue Note. Over a five-year period (1976-1981), Williams led numerous recording sessions for Muse, Denon, and Buddah while continuing to freelance before, during, and after that span. In the ’80s, he was a member of both the Timeless All-Stars and Sphere, writing a number of compositions for the latter. Among the musicians for whom he has played from the ’80s onward are Kenny Barron, Frank Morgan, Stanley Cowell, Steve Turre, Emily Remler, and Larry Coryell.

28
Oct

Buster Williams & Something More (saturday)

BUSTER WILLIAMS, bass
LENNY WHITE, drums
GEORGE COLLIGAN, piano
BRUCE WILLIAMS, alto sax

Bassist and composer Buster Williams is a prodigious artist whose playing knows no limits. He has played, recorded and collaborated with jazz giants such as Art Blakey, Betty Carter, Carmen McRae, Chet Baker, Chick Corea, Dexter Gordon, Jimmy Heath, Branford Marsalis, Wynton Marsalis, Gene Ammons, Sonny Stitt, Herbie Hancock, Larry Coryell, Lee Konitz, McCoy Tyner, Illinois Jacquet, Nancy Wilson, Elvin Jones, Miles Davis, the Jazz Crusaders, Ron Carter, Woody Shaw, Sarah Vaughan, Benny Golson, Mary Lou Williams, Hank Jones, Lee Morgan, Jimmy Rowles, Hampton Hawes, Cedar Walton, Bobby Hutcherson, Billy Taylor, Sonny Rollins, Count Basie, Errol Garner, Kenny Barron, Charlie Rouse, Dakota Staton, Kenny Dorham, and Freddie Hubbard, to name a few.

One of jazz’s most valuable sidemen, Buster Williams has flourished through many periods of changing fashions in jazz. Best known since the 1980s for his solid, dark tone and highly refined technique on the acoustic bass, the jazz-rock generation knew him as the mobile anchor of Herbie Hancock’s exploratory Mwandishi Sextet from 1969 to 1973, doubling on acoustic and electric basses sometimes attached to electronic effects devices.

Williams learned both the double bass and the drums from his father, but having been enormously impressed by Oscar Pettiford’s recordings, he ultimately decided to concentrate on the bass. After studying theory and composition at Philadelphia’s Combs College of Music in 1959, Williamsjoined Jimmy Heath’s unit the following year and played with Gene Ammons and Sonny Stitt in 1960 and 1961, as well as behind singers Dakota Staton (1961-1962), Betty Carter(1962-1963), Sarah Vaughan (1963), and Nancy Wilson(1964-1968). The gig with Wilson prompted a move to Los Angeles, where the Jazz Crusaders used him for concert dates and recordings from 1967 to 1969, and he also played briefly with Miles Davis in 1967 and the Bobby Hutcherson/Harold Land quintet. Moving to New York in 1969, Williams joined Hancock’s sextet, appearing on all of his Warner Bros. albums, as well as The Prisoner (Blue Note), Sextant(Columbia) and with trumpeter Eddie Henderson’s spinoff group on Capricorn and Blue Note. Over a five-year period (1976-1981), Williams led numerous recording sessions for Muse, Denon, and Buddah while continuing to freelance before, during, and after that span. In the ’80s, he was a member of both the Timeless All-Stars and Sphere, writing a number of compositions for the latter. Among the musicians for whom he has played from the ’80s onward are Kenny Barron, Frank Morgan, Stanley Cowell, Steve Turre, Emily Remler, and Larry Coryell.

03
Nov

The Benny Golson Quartet

Benny Golson – tenor sax
Sharp Radway – piano
Corcoran Holt – bass
John Lamkin – drums

Multitalented and internationally famous jazz legend, – a composer, arranger, lyricist, producer – and tenor saxophonist of world note, Benny Golson was born in Philadelphia, PA on January 25, 1929.

Raised with an impeccable musical pedigree, Golson has played in the bands of world famous Benny Goodman, Dizzy Gillespie, Lionel Hampton, Earl Bostic and Art Blakey. Few jazz musicians can claim to be true innovators and even fewer can boast of a performing and recording career that literally redefines the term “jazz”. Benny Golson has made major contributions to the world of jazz with such jazz standards as:
Killer Joe, I Remember Clifford, Along Came Betty, Stablemates, Whisper Not, Blues March, Five Spot After Dark, Are you Real?
Benny Golson is the only living jazz artist to have written 8 standards for jazz repertoire.

These jazz standards have found their way into countless recordings internationally over the years and are still being recorded. He has recorded over 30 albums for many recording companies in the United States and Europe under his own name and innumerable ones with other major artists. A prodigious writer, Golson has written well over 300 compositions. For more than 60 years, Golson has enjoyed an illustrious, musical career in which he has not only made scores of recordings but has also composed and arranged music for:
Count Basie, John Coltrane, Miles Davis, Sammy Davis Jr., Mama Cass Elliott, Ella Fitzgerald, Dizzy Gillespie, Benny Goodman, Lionel Hampton, Shirley Horn, David Jones and the Monkees, Quincy Jones, Peggy Lee, Carmen McRae, Anita O’Day, Itzhak Perlman, Oscar Peterson, Lou Rawls, Mickey Rooney, Diana Ross, The Animals (Eric Burden), Mel Torme, George Shearing, Dusty Springfield.

His prolific writing includes scores for hit TV series and films:
M*A*S*H, Mannix, Mission Impossible, Mod Squad, Room 222, Run for Your Life, The Partridge Family, The Academy Awards, The Karen Valentine Show, Television specials for ABC, CBS and NBC. Television specials for BBC in London and Copenhagen, Denmark. Theme for Bill Cosby’s last TV show, A french film ‘Des Femmes Disparaissent” (Paris)

He has written music for national radio and television spots for some of the major advertising agencies in the country. Some of these commercials were for:
Borateem, Canada Dry, Carnation, Chevrolet, Chrysler, Clorox, Dodge, General Telephone, Gillette, Heinz Foods, Jack in The Box, Liquid Plum’r, MacDonald’s, Mattel Toys, Monsanto, Nissan, Ohrbachs, Ore-Ida Frozen Potatoes, Parliament Cigarettes, Pepsi Cola, Texaco

Benny Golson has absolute mastery of the jazz medium. He has not only blazed a trail in the world of jazz but is passionate about teaching jazz to young and old alike. He has lectured at the Lincoln Center through a special series by Wynton Marsalis. He has lectured to doctoral candidates at New York University and to the faculty at National University at San Diego.

Honored with doctorates from William Paterson College, Wayne, NJ and Berklee School of Music, Boston, MA, Dr. Golson has also conducted workshops and clinics at:
Appalachian University, Boone, NC
Berklee School fo Music, Boston, MA
Eastman School of Music, Rochester, NY
Howard University, Washington, DC
Julliard School of Music, New York, NY
Manhattan School of Music, New York, NY
New England Conservatory
Paris Conservatory, Paris, France
Rutgers University, New Orleans, LA
Stanford University, Stanford, CA
University of Denver, Denver, CO
University of Idaho, Moscow, ID
University of Pittsburgh, Pittsburgh, PA
Lawrence University Conservatory of Music, Appleton, WI
William Paterson College, Wayne, NJ

Golson’s musical odyssey has taken him around the world. In 1987 he was sent by the US State Department on a cultural tour of Southeast Asia, New Zealand, Indonesia, Malaysia, Burma, Singapore. Later, Philip Morris International sent him on an assignment to Bangkok, Thailand to write music for the Bangkok Symphony Orchestra.

A live performer who consistently knocks audiences off their feet, Benny Golson has given hundreds of performances in the USA, Europe, South America, the Far East and Japan for decades.

Benny is also working on a major college textbook and his autobiography

This humble musical giant continues to impress critics, fans and fellow musicians with his prodigious contributions to the world of jazz.

04
Nov

Ben Paterson Trio

Combining a joyful swing feel with an impeccable touch, Ben Paterson has quickly established himself as one of the most exciting young pianists on the Jazz scene today, garnering international acclaim for his superb musicianship and engaging performances. Originally from Philadelphia, Ben studied both classical and jazz music before moving to the great city of Chicago, absorbing the unique blend of Jazz and Blues that can only be found in the Windy City. Now based in New York, Ben is poised to bring his unique talents and style to a wider audience, performing regularly at top notch venues around town, and at clubs and festivals around the world. Notable collaborations include work with NEA Jazz Master Von Freeman, Bobby Broom, Johnny O’Neal, Red Holloway, Eldee young, Jerry Weldon, Peter Bernstein and Ed Cherry to name a few, with performances opening for groups like Steely Dan and B.B. King. Ben has released 4 CD’s under his own name: Breathing Space (OA2 Records 2007) Blues For Oscar (Meetinghouse Records 2012), Essential Elements (MAXJAZZ 2013), and For Once In My Life (Origin 2015). Visit www.benpaterson.com for more information.

VisitingTheSideDoor

LOCATED AT

OLD LYME INN
85 Lyme Street
Old Lyme, Connecticut 06371

Tickets

advance tickets
available online
or by calling
(860) 434-2600
general admission only,
no standing room

At The Show

Doors at 7:30pm for cocktails and seating
Shows begin at 8:30pm
unless otherwise advertised

::
Pre-show dinner reservations available at
The Old Lyme Inn
(food is not served at the club, full bar service available)

::
No unauthorized audio or video recording is permitted during performance. This includes cell phones. Photos restricted to first set per artist request.

Enjoy overnight discounts with your tickets


VOTED BEST LIVE JAZZ BY CT MAGAZINE 2014 AND 2015! Come check out why.....


PastEvents

Ricky Ford

TS Monk Sextet

Donald Vega Trio

Ravi Coltrane Quartet

Big Chief Donald Harrison

Bucky Pizarelli | Russell Malone | Ed Laub

The Cookers

Ken Kitchings | SideDoor Jazz

NEWS&MEDIA

FACEBOOK /THESIDEDOORJAZZCLUB

jazz is family... ... See MoreSee Less

Here's a jazz-filled moment from #MisterRogersNeighborhood when Ellis Marsalis and his sons Branford Marsalis, Delfeayo Marsalis, and Jason Marsalis interpreted Fred Rogers' original composition, "Sometimes Isn't Always."

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Vadim Neselovskyi Trio

May 19, 2017, 8:30pm - May 19, 2017, 11:00pm

Vadim Neselovskyi — piano, voice, melodica, compositions Ronen Itzik — drums, percussion Dan Loomis — bass "I don’t think I have ever met an improviser who has more surprises in store…a true Genius." Gary Burton "I truly believe that he is one of the greatest pianist/composers out there right now.” Fred Hersch “We all look forward to hearing much more from him, as he ventures further down the singular road he has found.” Steve Swallow Vadim Neselovskyi is a Ukrainian pianist and composer based in New York City. He joined 6-Time Grammy-Winner Gary Burton’s Generations Quintet of future all-stars including Julian Lage, Luques Curtis and James Williams in 2004 and has been working as Gary Burton’s pianist and arranger for more than a decade, touring US, Europe and Japan. Vadim grew up in Odessa, Ukraine, where he was the youngest student (fifteen years old) to be accepted into Odessa Conservatory, and then moved to Dortmund, Germany when he was 17 years old. Shortly after arriving in Germany, Neselovskyi established himself on the local jazz scene, taking part in the Dusseldorf Jazz Rally and Leipzig Jazz Days. After a few years he moved to the USA to further his studies at Berklee College of Music, where he was asked to play and compose for a Berklee’s promotional recording produced by Pat Metheny, which also featured Esperanza Spalding and Christian Scott. Next education stage took place at the Thelonious Monk Institute where he was awarded a Full Scholarship as the pianist of an ensemble handpicked by Herbie Hancock, Wayne Shorter and Terence Blanchard. During this time, he toured internationally with Herbie Hancock, Chaka Khan, Dee Dee Bridgewater and Terri Lyne Carrington and shared the stage with artists such as John Scofield, Terence Blanchard, Kurt Rosenwinkel, Benny Golson, Nicholas Payton and Steve Coleman. His solo piano CD Music for September (Sunnyside Records, 2013) was produced by Fred Hersch and received 4-star review in Downbeat. In 2010 German Neue Musik Zeitung (NMZ) included him into “Best Musicians of 2010” list. His compositions have been covered by jazz stars such as Randy Brecker,[19] Antonio Sanchez, Scott Colley, Julian Lage,[ Gary Burton and also by Symphony Orchestras in the US (Spokane Symphony[ and Lancaster Symphony, and Europe (Neue Philharmonie Westfalen and INSO Lviv Sympony[).

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YOUTUBE /THESIDEDOOR

InTheNews

Articles /THESIDEDOOR

"A Beacon of Live Music!..."
Feb 27, 2015 | see full article
NY Times - "Its the Perfect Room....."
Nov 16, 2014 | see full article
CT Magazine - The Side Door Thrives!
May 7, 2014 | see full article
The Day - "A Lovely Spot To Listen"
November 14, 2013 | see full article
The SideDoor Announces Its Fall Line Up!
September 26, 2013 | see full article
Wine, dine, spend the night, and all that jazz!
September 17, 2013 | see full article
Old Lyme Inn opens the SideDoor
MAY 9, 2013 | see full article
Old Lyme Inn jazzed about new venue
MAY 6, 2013 | see full article
All About Jazz - Old Lyme Inn Goes Live At The Side Door Jazz Club
June 21, 2013 | see full article
Wallace Roney, Two Explosive Nights At The Side Door Jazz Club
July 21, 2013 | see full article
The SideDoor Opens to a Standing Ovation in Old Lyme
May 13 2013 | see full article
"A Great Jazz Weekend In Old Lyme CT!"
Jan 30, 2016 | see full article
"A Great Weekend Of Jazz In Old Lyme CT!"
Jan 31, 2016 | see full article

Partners

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NEWPORT JAZZ FESTIVAL

Founded in 1954, the Newport Jazz Festival® was the first annual jazz festival in America. It has been host to numerous legendary performances by some of the world’s leading established and emerging artists.
VISIT NEWPORT JAZZ FESTIVAL

Garde Arts Center

Performing arts theater presenting Broadway shows, opera, film and other events. New London, Connecticut.
VISIT THE OASIS ROOM

JAZZREACH

Established in 1994, JazzReach is a nationally recognized New York City-based not-for-profit organization dedicated to the promotion, performance, creation and teaching of jazz music.

VISIT JAZZREACH

The Artists Collective

The Artists Collective is a cultural institution serving the Greater Hartford region, providing year-round professional training in dance, music, drama, visual and martial arts emphasizing the arts and culture of the African Diaspora.

VISIT ARTISTS COLLECTIVE

The Hartt School of Music

The Hartt School is the comprehensive performing arts conservatory of the University of Hartford. Hartt offers innovative degree programs in music, dance, and theatre.

VISIT THE HARTT SCHOOL OF MUSIC

Newport Festivals Foundation

To continue the Newport Jazz Festival® as it has been since 1954 in the presentation of the greatest jazz performers who follow the traditions of New Orleans, swing, bebop and modal as the core and heart of jazz music.

Visit http://www.newportfestivalsfoundation.org

 

Innovators of the finest musical instrument and mic stands for 35 years, The Music People! Inc. has been one of the nation’s leading suppliers of microphones and pro audio equipment.

OurStory

The SideDoor is quite literally a dream come true!

The Sidedoor jazz club is the realisation of a long cherished dream. Ken Kitchings has always been a true fan of jazz music and brought many great artists to The Garde Theatre in New London, CT during his time there.

In 2011 Ken and his wife Chris bought the beautiful, but sadly neglected, Old Lyme Inn and put their hearts and souls into bringing its former glory to life. Once the inn became an established part of the community, Ken set his sights on an unused “side door” space attached to the inn, visualizing the perfect jazz venue: Intimate, welcoming, elegant and a quality, great sounding room that the very best jazz artists would be happy to play in!

On May 10th, 2013 its door and stage was opened by none other than the venerable George Wein and his Newport All Star band, cutting the ribbon and giving his blessing to an awestruck Ken Kitchings! An incredible gala night opening to be remembered – setting the standard and placing The Sidedoor firmly on the jazz venue map!

PHOTO: DOLORES MAURISU, KEN KITCHINGS

KindWords

  • “Thank you for treating us so well. I’m happy that The Side Door brings quality, art and celebration to the community, thank you for inviting me to be a part of the magic! Sending love and wishing you health and joy, thank you. Benny”

    ~ Benny Green 4/18/14
  • “This is the real deal! You’re right in the cross hairs of the NY and Boston music scene… This is every bit as great as playing the Vanguard!”

    ~ Kenny Werner
  • This is the best thing to happen to the Connecticut shoreline since the Baldwin Bridge!

    ~ Robin Whitney, Side Door VIP
  • Intimate room, good bar service and superb jazz band! A great place to go after dinner on the weekend in Old Lyme or Essex near the CT shore.

    ~ TripAdvisor User: Glenn C
  • very excited to see this has opened – just what we need in this area!!

    ~ Facebook User: Carrie Leber
  • As shepherded by Ken Kitchings – who owns the Old Lyme Inn with his wife, Christine, and is a booking force at the Garde Arts Center – the SideDoor will be an intimate venue dedicated to showcasing the finest touring jazz musicians as they negotiate the I-95 corridor.

    ~ RICK KOSTER, The Day

UpcomingEVents

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