UpcomingEvents

22
Mar

George Colligan Quartet

George Colligan – piano
Gary Thomas – tenor sax
Drew Gress – bass
Ralph Peterson – drums

George Colligan is a New York based pianist, organist, drummer, trumpeter, teacher, and bandleader, who is one of the most original and compelling jazz artists of his generation. An award-winning composer (Chamber Music America/Doris Duke Foundation grant recipient) and player (winner, Jazzconnect.com Jazz Competition), Colligan is highly in demand as a sideman, having worked with players like Cassandra Wilson, Don Byron, Buster Williams, and Lonnie Plaxico, both on the bandstand and in recording sessions (appearing on over 100 CDs). He has released 24 recordings full of his intelligent writing and impressive technique. His latest CD on the Origin Label is called”The Endless Mysteries” and features Larry Grenadier and Jack DeJohnette. Colligan’s musical style incorporates everything from showtunes to funk, from free improvisation to 20th century classical music. His performances include dazzling technique as well as mature restraint. Colligan was on the faculty of the Juilliard School for two years and is currently an Assistant Professor at Portland State University. He is currently a member of Jack DeJohnette’s New Quintet.Recently, Colligan started playing the Hammond 44 Melodion(melodica). He also started a popular blog called jazztruth(jazztruth.blogspot.com).

“Colligan is an equally deserving torch-carrier of the piano trio tradition….” John Kelman , All About Jazz

“One of the best kept secrets in jazz….” Chris Hoven, All About Jazz

“As a creative artist, he’s really up there…. In terms of technique, knowledge of music and improvisational creativity, there aren’t a whole lot of cats from his generation that are any better than him. As a matter of fact, I can’t think of any.”– Don Braden in a blindfold test for Jazz Times

“Pianist George Colligan stole the set with a display of technique that inspired a standing ovation.”-Harvey Siders, Jazz Times, in a review of a Ravi Coltrane concert.

George Colligan has toured, recorded ,and/or performed as a sideman with Cassandra Wilson, Buster Williams, Don Byron, Lonnie Plaxico, Gary Bartz, Benny Golson, Gary Thomas, Miguel Zenon, Tom Harrell, Steve Coleman, Eddie Henderson, Ralph Peterson, Vanessa Rubin, Steve Wilson,Dave Weckl, Richard Bona, Jane Monheit, Ravi Coltrane, Lenny White, Michael Brecker, Mike Clark, Nicholas Payton, Sheila Jordan, Janis Siegel, Christian McBride, Billy Hart, Charles Fambrough, Mingus Big Band, AL Foster, Mark Turner, Don Braden, Lew Soloff, Gunther Schuller, Carl Allen, Rodney Whitaker, Lee Konitz, Jamie Baum, Michal Urbaniak, Ron McClure,DJ Logic, Randy Brecker and Stefon Harris, among others.

23
Mar

Bruce Barth Trio

Bruce Barth – piano
Vicente Archer – bass
Montez Coleman – drums

Jazz pianist and composer Bruce Barth has been sharing his music with listeners the world over for more than twenty-five years. In addition to traveling widely performing his own music, he has also performed with revered jazz masters, as well as collaborated with leading musicians of his own generation. And in a recent

review in the Newark Star-Ledger, Zan Stewart writes “No one sounds quite like Barth. His solos are characterized by robust swing, his ability to tell a story, and by his rich, beguiling sound.”

Bruce has performed on over one hundred recordings and movie soundtracks, including fourteen as a leader. He is equally at home playing solo piano (American Landscape on Satchmo Jazz Records), leading an all-star septet (East and West on MaxJazz), and composing for a variety of ensembles. His trio has recorded live at the legendary Village Vanguard in New York City, and his duo recording with saxophonist Steve Wilson, Home, was chosen by Down Beat magazine as one of the best recordings of 2010. His current CD is “Daybreak,” on the Savant label.

2018 promises to be a banner year for Bruce, as he is anticipating the release of two new CDs. The first is Sunday, featuring tenor legend Jerry Bergonzi, recorded live in Spain. The second features Bruce’s trio interpreting music of the Grateful Dead. The trio will be performing this music on the west coast and at several major European Jazz Festivals this summer.

Originally from Pasadena, California, Bruce arrived on the New York jazz scene in 1988, and soon started working in the bands of Stanley Turrentine and Terence Blanchard. While in Terence’s band, Bruce recorded his first two CD’s as a leader, In Focus and Morning Call for the Enja label; both were chosen for the New York Times’ top ten lists. These recordings displayed not only Bruce’s powerfully fluent piano playing, but also the scope of his own compositions and his imaginative arrangements of jazz standards.

As a leader of his trio and larger ensembles, Bruce has performed at major venues in the United States, Europe, and Japan; he has led bands at many major venues in New York, The Kennedy Center in Washington, DC, and major festivals in UK, Spain, Sweden, and Portugal.

Throughout his professional life, Bruce has had extended collaborations with Terell Stafford, Steve Wilson, Luciana Souza, Steve Nelson, and Tony Bennett. He has performed with James Moody, Phil Woods, Freddie Hubbard, Tom Harrell, Branford Marsalis, Art Farmer, and the Mingus Big Band.

Finally, Bruce is a dedicated teacher, currently on the faculties of Temple University and Columbia University. He has also given master classes around the globe.

29
Mar

Jane Bunnett & Maqueque

Multiple Juno Award winner, Jane Bunnett has turned her bands and recordings into showcases for the finest musical talent from Canada, the US and Cuba. She has been up for Grammy Awards, numerous Juno’s, received The Order of Canada, The Queens Diamond Jubilee and most recently The Premiers Award for Excellence. An internationally acclaimed musician, Jane Bunnett is known for her creative integrity, improvisational daring and courageous artistry. Her exploration of Afro-Cuban melodies expresses the universality of music and her ability to embrace and showcase the rhythms and culture of Cuba has been groundbreaking. She has toured the world bringing her own special sound to numerous Jazz festivals, displaying her versatility as a flutist, saxophone player and pianist.

Jane’s debut recording hit the Jazz world in 1987 with the Stunning Juno nominated “In Dew Time” featuring American Jazz legends Dewey Redman, Don Pullen and Canadian icon Claude Ranger.

During and in-between her Cuban explorations Jane released recordings and toured with a powerful group of Jazz innovators. “New York Duets” and “Live at Sweet Basil” with Don Pullen and Billy Hart. “Water is Wide” with Pullen as well as Jeanne Lee, Sheila Jordan and Billy Hart. A duet with Paul Bley (Double Time) “Spirituals and Dedications” with Dewey Redman, vocalist Dean Bowman and master pianist Stanley Cowell.

Two documentaries have been made about Bunnett’s work. “Spirits of Havana “(2000) National Film Board (NFB) was presented at numerous film festivals internationally, television (CBC, PBS) as well as in Europe.

A more recent film “Embracing Voices” has been shown at film festivals and is awaiting commercial release. Jane’s most recent recording and touring group “Maqueque” is turning heads internationally. The group consists of Jane with five dynamic young Cuban women instrumentalists and composers. Their 2nd release “Oddara” is coming out this fall.

As an educator, spokesperson and social activist, she remains unafraid to explore uncharted territory in her quest for excellence.

30
Mar

John Raymond & Real Feels

John Raymond – flugelhorn
Ben Eunson – guitar
Matt Aronoff – bass
Colin Stranahan – drums

With a singular voice on the trumpet and flugelhorn, John Raymond is making his mark as one of the most promising, up-and-coming jazz musicians in the world. Recently dubbed as a Rising Star by Downbeat Magazine, John has performed with some of most well-respected names in jazz including Orrin Evans, Kurt Rosenwinkel, Billy Hart and Linda Oh among others. He has released five albums under his own name since 2012, all of which receiving critical acclaim from the New York Times, Stereogum, Downbeat, JazzTimes and more. John has also established himself as a sought-after educator, both as the Professor of Jazz Trumpet at Indiana University and as a guest clinician and soloist at schools around the world.

Raymond’s Real Feels incorporates indie-rock, folk and electronic influences to both riveting original music and fresh takes on recognizable songs by artists such as Bob Dylan, Thom Yorke, Bon Iver, Paul Simon and more. Regardless of material, the band’s improvisational, free-wheeling, “keep-you-on-the-edge-of-your-seat” approach to the music makes each experience with Real Feels a new and captivating experience. It’s no surprise that they are one of the hottest, up-and-coming groups in jazz today.

05
Apr

Donald Edwards Quintet

Donald Edwards – drums
Abraham Burton – tenor sax
Tom Guarna – guitar
Davis Whitfield – piano
Ben Wolfe – bass

Since his emergence, Donald Edwards has played across the globe with some of the finest musicians in jazz. He is now building a reputation all his own. Donald Edwards has performed with jazz greats such as Freddie Hubbard, Tom Harrell, Donald Harrison, Jesse Davis, Greg Osby, Kurt Elling, Ralph Bowen, Branford Marsalis, Ellis Marsalis, Wessell Anderson, Orrin Evans, Joey Calderazzo, Wynton Marsalis, The Mingus Big Band, Dynasty & Orchestra, Charlie Hunter, Russell Malone, Conrad Herwig, Alvin Batiste, Stefon Harris, Seamus Blake, Dave Holland, Boris Kozlov, George Colligan and Mark Whitfield,.

Edwards was born into a musical family. His father Dock is a classical pianist and his mother Geraldine, a voice major. Edwards began playing music at the age of eleven in Opelousas, Louisiana. He went on to study music at Southern University in Baton Rouge, Louisiana where the renowned teacher Alvin Batiste resides. He then continued in music eduction as an adjunct teacher at the University Of New Orleans. Edwards, now in New York, continues to give his time to help teach young aspiring percussionist in schools throughout the community.

After winning the Louisiana Arts Ambassador’s Award in 1994 for Music Composition, Donald Edwards became one of the most sought after drummers on the New Orleans music scene. He came up playing different kinds of music ranging from marching band, hip-hop and pop to r&b, jazz, funk and gospel music. As a result, Edwards is now called on to play many different genres of music and meets them with creative interpretation and virtuosity. Donald Edwards is among the vanguard of players on the New York scene today. Edwards has three recordings as a leader -“In The Vernacular” (Leaning House Label), “Ducktones” (Zoot – T Label) and “Evelution Of An Influenced Mind”- (Criss Cross Label) and is also involved in the production of numerous recording projects. With skills steeped in and out of the rich and varied traditions of Louisiana, drummer and composer Donald Edwards is dedicated in his pursuit of creative improvisation, compositional development, and experimentation with rhythms through conversing in dialects of a universal language we call music.

“ …with each generation continually producing those special individuals who push the envelope a little farther, Edwards is part of a new breed of musicians who have discovered that total musicianship means more that just being a great instrumentalist, which he is by the way”. Ellis Marsalis

06
Apr

Broken Shadows

Tim Berne – alto saxophone
Chris Speed – tenor saxophone
Reid Anderson – double-bass
Dave King – drums

Broken Shadows is a quartet of kindred spirits communing over shared loves and common inspirations, radiating not only homage but aspiration – to make music with deep roots reach out into the present moment, alive and attuned and moving through our air now. These four musicians hailing from the urban northern half of America – Tim Berne, Chris Speed, Reid Anderson and Dave King – have banded together to reinterpret the timeless sounds conjured by great men from the rural South and heartland of the country: Ornette Coleman, Julius Hemphill, Dewey Redman, Charlie Haden. These iconic figures created an ever-resonant avant-garde out of the folk-art influences of their early surroundings, a canon that comprises the hard blues and deep lament, keening celebration and hollering protest. Wound through the DNA of such avant-jazz classics as “Dogon A.D.,” “Lonely Woman,” “Civilization Day,” “Walls- Bridges” and “Song for Ché” are the age-old sounds of back-alley bars and carnival midways, funeral processions and holiday parades, the rave-ups of Saturday night shading into the hymns of Sunday morning. The way saxophonists Berne and Speed perform this music with the bass-and-drum team of Anderson and King has a rocking, roughhewn harmonic convergence wholly in keeping with the source materials, even as their improvisations have a searching, burning modernism of their own. To channel the cultural history of this music, the players of Broken Shadows can rely on their personal history as friends and collaborators; among various associations, Speed played in Berne’s Bloodcount band in the 1990s, while Anderson and King are two-thirds of the genre defying band The Bad Plus. This foursome is onto something special here – the emotive breath and beat of this music being undeniable, infectious; these are players known for their ability to take it out, but Broken Shadows gives them a vehicle to get down. — Bradley Bambarger

11
Apr

The Buster Williams Quartet “Something More” (thursday)

Buster Williams – bass
Steve Wilson – saxophones
Lenny White – drums
George Colligan – piano

Bassist and composer Buster Williams is a prodigious artist whose playing knows no limits. He has played, recorded and collaborated with jazz giants such as Art Blakey, Betty Carter, Carmen McRae, Chet Baker, Chick Corea, Dexter Gordon, Jimmy Heath, Branford Marsalis, Wynton Marsalis, Gene Ammons, Sonny Stitt, Herbie Hancock, Larry Coryell, Lee Konitz, McCoy Tyner, Illinois Jacquet, Nancy Wilson, Elvin Jones, Miles Davis, the Jazz Crusaders, Ron Carter, Woody Shaw, Sarah Vaughan, Benny Golson, Mary Lou Williams, Hank Jones, Lee Morgan, Jimmy Rowles, Hampton Hawes, Cedar Walton, Bobby Hutcherson, Billy Taylor, Sonny Rollins, Count Basie, Errol Garner, Kenny Barron, Charlie Rouse, Dakota Staton, Kenny Dorham, and Freddie Hubbard, to name a few.

One of jazz’s most valuable sidemen, Buster Williams has flourished through many periods of changing fashions in jazz. Best known since the 1980s for his solid, dark tone and highly refined technique on the acoustic bass, the jazz-rock generation knew him as the mobile anchor of Herbie Hancock’s exploratory Mwandishi Sextet from 1969 to 1973, doubling on acoustic and electric basses sometimes attached to electronic effects devices.

Williams learned both the double bass and the drums from his father, but having been enormously impressed by Oscar Pettiford’s recordings, he ultimately decided to concentrate on the bass. After studying theory and composition at Philadelphia’s Combs College of Music in 1959, Williamsjoined Jimmy Heath’s unit the following year and played with Gene Ammons and Sonny Stitt in 1960 and 1961, as well as behind singers Dakota Staton (1961-1962), Betty Carter(1962-1963), Sarah Vaughan (1963), and Nancy Wilson(1964-1968). The gig with Wilson prompted a move to Los Angeles, where the Jazz Crusaders used him for concert dates and recordings from 1967 to 1969, and he also played briefly with Miles Davis in 1967 and the Bobby Hutcherson/Harold Land quintet. Moving to New York in 1969, Williams joined Hancock’s sextet, appearing on all of his Warner Bros. albums, as well as The Prisoner (Blue Note), Sextant(Columbia) and with trumpeter Eddie Henderson’s spinoff group on Capricorn and Blue Note. Over a five-year period (1976-1981), Williams led numerous recording sessions for Muse, Denon, and Buddah while continuing to freelance before, during, and after that span. In the ’80s, he was a member of both the Timeless All-Stars and Sphere, writing a number of compositions for the latter. Among the musicians for whom he has played from the ’80s onward are Kenny Barron, Frank Morgan, Stanley Cowell, Steve Turre, Emily Remler, and Larry Coryell.

12
Apr

The Buster Williams Quartet “Something More” (friday)

Buster Williams – bass
Steve Wilson – saxophones
Lenny White – drums
George Colligan – piano

Bassist and composer Buster Williams is a prodigious artist whose playing knows no limits. He has played, recorded and collaborated with jazz giants such as Art Blakey, Betty Carter, Carmen McRae, Chet Baker, Chick Corea, Dexter Gordon, Jimmy Heath, Branford Marsalis, Wynton Marsalis, Gene Ammons, Sonny Stitt, Herbie Hancock, Larry Coryell, Lee Konitz, McCoy Tyner, Illinois Jacquet, Nancy Wilson, Elvin Jones, Miles Davis, the Jazz Crusaders, Ron Carter, Woody Shaw, Sarah Vaughan, Benny Golson, Mary Lou Williams, Hank Jones, Lee Morgan, Jimmy Rowles, Hampton Hawes, Cedar Walton, Bobby Hutcherson, Billy Taylor, Sonny Rollins, Count Basie, Errol Garner, Kenny Barron, Charlie Rouse, Dakota Staton, Kenny Dorham, and Freddie Hubbard, to name a few.

One of jazz’s most valuable sidemen, Buster Williams has flourished through many periods of changing fashions in jazz. Best known since the 1980s for his solid, dark tone and highly refined technique on the acoustic bass, the jazz-rock generation knew him as the mobile anchor of Herbie Hancock’s exploratory Mwandishi Sextet from 1969 to 1973, doubling on acoustic and electric basses sometimes attached to electronic effects devices.

Williams learned both the double bass and the drums from his father, but having been enormously impressed by Oscar Pettiford’s recordings, he ultimately decided to concentrate on the bass. After studying theory and composition at Philadelphia’s Combs College of Music in 1959, Williamsjoined Jimmy Heath’s unit the following year and played with Gene Ammons and Sonny Stitt in 1960 and 1961, as well as behind singers Dakota Staton (1961-1962), Betty Carter(1962-1963), Sarah Vaughan (1963), and Nancy Wilson(1964-1968). The gig with Wilson prompted a move to Los Angeles, where the Jazz Crusaders used him for concert dates and recordings from 1967 to 1969, and he also played briefly with Miles Davis in 1967 and the Bobby Hutcherson/Harold Land quintet. Moving to New York in 1969, Williams joined Hancock’s sextet, appearing on all of his Warner Bros. albums, as well as The Prisoner (Blue Note), Sextant(Columbia) and with trumpeter Eddie Henderson’s spinoff group on Capricorn and Blue Note. Over a five-year period (1976-1981), Williams led numerous recording sessions for Muse, Denon, and Buddah while continuing to freelance before, during, and after that span. In the ’80s, he was a member of both the Timeless All-Stars and Sphere, writing a number of compositions for the latter. Among the musicians for whom he has played from the ’80s onward are Kenny Barron, Frank Morgan, Stanley Cowell, Steve Turre, Emily Remler, and Larry Coryell.

VisitingTheSideDoor

LOCATED AT

OLD LYME INN
85 Lyme Street
Old Lyme, Connecticut 06371

Tickets

advance tickets
available online
or by calling
(860) 434-2600
general admission only,
no standing room

At The Show

Doors at 7:30pm for cocktails and seating
Shows begin at 8:30pm
unless otherwise advertised

::
Pre-show dinner reservations available at
The Old Lyme Inn
(food is not served at the club, full bar service available)

::
No unauthorized audio or video recording is permitted during performance. This includes cell phones. Photos restricted to first set per artist request.

Enjoy overnight discounts with your tickets


VOTED BEST LIVE JAZZ BY CT MAGAZINE 2014 AND 2015! Come check out why.....


PastEvents

Ricky Ford

TS Monk Sextet

Donald Vega Trio

Ravi Coltrane Quartet

Big Chief Donald Harrison

Bucky Pizarelli | Russell Malone | Ed Laub

The Cookers

Ken Kitchings | SideDoor Jazz

NEWS&MEDIA

FACEBOOK /THESIDEDOORJAZZCLUB

jazz is family... ... See MoreSee Less

Here's a jazz-filled moment from #MisterRogersNeighborhood when Ellis Marsalis and his sons Branford Marsalis, Delfeayo Marsalis, and Jason Marsalis interpreted Fred Rogers' original composition, "Sometimes Isn't Always."

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Vadim Neselovskyi Trio

May 19, 2017, 8:30pm - May 19, 2017, 11:00pm

Vadim Neselovskyi — piano, voice, melodica, compositions Ronen Itzik — drums, percussion Dan Loomis — bass "I don’t think I have ever met an improviser who has more surprises in store…a true Genius." Gary Burton "I truly believe that he is one of the greatest pianist/composers out there right now.” Fred Hersch “We all look forward to hearing much more from him, as he ventures further down the singular road he has found.” Steve Swallow Vadim Neselovskyi is a Ukrainian pianist and composer based in New York City. He joined 6-Time Grammy-Winner Gary Burton’s Generations Quintet of future all-stars including Julian Lage, Luques Curtis and James Williams in 2004 and has been working as Gary Burton’s pianist and arranger for more than a decade, touring US, Europe and Japan. Vadim grew up in Odessa, Ukraine, where he was the youngest student (fifteen years old) to be accepted into Odessa Conservatory, and then moved to Dortmund, Germany when he was 17 years old. Shortly after arriving in Germany, Neselovskyi established himself on the local jazz scene, taking part in the Dusseldorf Jazz Rally and Leipzig Jazz Days. After a few years he moved to the USA to further his studies at Berklee College of Music, where he was asked to play and compose for a Berklee’s promotional recording produced by Pat Metheny, which also featured Esperanza Spalding and Christian Scott. Next education stage took place at the Thelonious Monk Institute where he was awarded a Full Scholarship as the pianist of an ensemble handpicked by Herbie Hancock, Wayne Shorter and Terence Blanchard. During this time, he toured internationally with Herbie Hancock, Chaka Khan, Dee Dee Bridgewater and Terri Lyne Carrington and shared the stage with artists such as John Scofield, Terence Blanchard, Kurt Rosenwinkel, Benny Golson, Nicholas Payton and Steve Coleman. His solo piano CD Music for September (Sunnyside Records, 2013) was produced by Fred Hersch and received 4-star review in Downbeat. In 2010 German Neue Musik Zeitung (NMZ) included him into “Best Musicians of 2010” list. His compositions have been covered by jazz stars such as Randy Brecker,[19] Antonio Sanchez, Scott Colley, Julian Lage,[ Gary Burton and also by Symphony Orchestras in the US (Spokane Symphony[ and Lancaster Symphony, and Europe (Neue Philharmonie Westfalen and INSO Lviv Sympony[).

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YOUTUBE /THESIDEDOOR

InTheNews

Articles /THESIDEDOOR

"A Beacon of Live Music!..."
Feb 27, 2015 | see full article
NY Times - "Its the Perfect Room....."
Nov 16, 2014 | see full article
CT Magazine - The Side Door Thrives!
May 7, 2014 | see full article
The Day - "A Lovely Spot To Listen"
November 14, 2013 | see full article
The SideDoor Announces Its Fall Line Up!
September 26, 2013 | see full article
Wine, dine, spend the night, and all that jazz!
September 17, 2013 | see full article
Old Lyme Inn opens the SideDoor
MAY 9, 2013 | see full article
Old Lyme Inn jazzed about new venue
MAY 6, 2013 | see full article
All About Jazz - Old Lyme Inn Goes Live At The Side Door Jazz Club
June 21, 2013 | see full article
Wallace Roney, Two Explosive Nights At The Side Door Jazz Club
July 21, 2013 | see full article
The SideDoor Opens to a Standing Ovation in Old Lyme
May 13 2013 | see full article
"A Great Jazz Weekend In Old Lyme CT!"
Jan 30, 2016 | see full article
"A Great Weekend Of Jazz In Old Lyme CT!"
Jan 31, 2016 | see full article

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NEWPORT JAZZ FESTIVAL

Founded in 1954, the Newport Jazz Festival® was the first annual jazz festival in America. It has been host to numerous legendary performances by some of the world’s leading established and emerging artists.
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Garde Arts Center

Performing arts theater presenting Broadway shows, opera, film and other events. New London, Connecticut.
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JAZZREACH

Established in 1994, JazzReach is a nationally recognized New York City-based not-for-profit organization dedicated to the promotion, performance, creation and teaching of jazz music.

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The Artists Collective

The Artists Collective is a cultural institution serving the Greater Hartford region, providing year-round professional training in dance, music, drama, visual and martial arts emphasizing the arts and culture of the African Diaspora.

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The Hartt School of Music

The Hartt School is the comprehensive performing arts conservatory of the University of Hartford. Hartt offers innovative degree programs in music, dance, and theatre.

VISIT THE HARTT SCHOOL OF MUSIC

Newport Festivals Foundation

To continue the Newport Jazz Festival® as it has been since 1954 in the presentation of the greatest jazz performers who follow the traditions of New Orleans, swing, bebop and modal as the core and heart of jazz music.

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OurStory

The SideDoor is quite literally a dream come true!

The Sidedoor jazz club is the realisation of a long cherished dream. Ken Kitchings has always been a true fan of jazz music and brought many great artists to The Garde Theatre in New London, CT during his time there.

In 2011 Ken and his wife Chris bought the beautiful, but sadly neglected, Old Lyme Inn and put their hearts and souls into bringing its former glory to life. Once the inn became an established part of the community, Ken set his sights on an unused “side door” space attached to the inn, visualizing the perfect jazz venue: Intimate, welcoming, elegant and a quality, great sounding room that the very best jazz artists would be happy to play in!

On May 10th, 2013 its door and stage was opened by none other than the venerable George Wein and his Newport All Star band, cutting the ribbon and giving his blessing to an awestruck Ken Kitchings! An incredible gala night opening to be remembered – setting the standard and placing The Sidedoor firmly on the jazz venue map!

PHOTO: DOLORES MAURISU, KEN KITCHINGS

KindWords

  • “Thank you for treating us so well. I’m happy that The Side Door brings quality, art and celebration to the community, thank you for inviting me to be a part of the magic! Sending love and wishing you health and joy, thank you. Benny”

    ~ Benny Green 4/18/14
  • “This is the real deal! You’re right in the cross hairs of the NY and Boston music scene… This is every bit as great as playing the Vanguard!”

    ~ Kenny Werner
  • This is the best thing to happen to the Connecticut shoreline since the Baldwin Bridge!

    ~ Robin Whitney, Side Door VIP
  • Intimate room, good bar service and superb jazz band! A great place to go after dinner on the weekend in Old Lyme or Essex near the CT shore.

    ~ TripAdvisor User: Glenn C
  • very excited to see this has opened – just what we need in this area!!

    ~ Facebook User: Carrie Leber
  • As shepherded by Ken Kitchings – who owns the Old Lyme Inn with his wife, Christine, and is a booking force at the Garde Arts Center – the SideDoor will be an intimate venue dedicated to showcasing the finest touring jazz musicians as they negotiate the I-95 corridor.

    ~ RICK KOSTER, The Day

UpcomingEVents

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